In recent days, my numerous activities have been interspersed with a few cultural events worthy of mentioning. The first was a special nineteen-part concert, "Songs of Peace and Remembrance: 80 Years On" at the Melbourne Recital Centre from the Shenyang Conservatory of Music, which was nothing short of phenomenal; the erhu solo, "Soul of the Snowy Mountain" was especially captivating. As part of a national tour, the concert was built on the theme of Chinese resistance to the invasion from the Empire of Japan, and the end of the world anti-fascist war. At the reception before the concert, the former President of the Legislative Council, Bruce Atkinson, made the insightful point that the Second World War really started in 1931, with the invasion of Manchuria.

The second event was attending the Conquest Market Day at the ever-beautiful Coburg Town Hall, staffing the RPG Review Cooperative stall's fine collection of second-hand RPG systems from members. I am very thankful for the assistance provided by Andrew D., in delivering the goods, the stunning generosity of Rade V., in providing me a copy of the "Arkham Horror RPG: Hungering Abyss", and the ever delightful opportunity to spend time in the company of Liz B., and Karl B., and, of course, the many people who visited the staff, rummaged, reminisced and explored through our often curious stock. On a related note, this Wednesday I'll be starting up a new RPG story using the ElfQuest RPG and setting, from the comics (running since 1978!) by Wendy and Richard Pini.

The third event was the University of Melbourne Symphony Orchestra performance at Hamer Hall, of "Four Sea Interludes" by Benjamin Britten, Debussy's "La Mer", and finally, Modest Mussorgsky', "Pictures at an Exhibition", which was the main feature of the performance unsurprising as it correlates with a superb narrative, where the movements are quite independent but flow in sequence in a manner that seems perfectly natural. Following both romantic and impressionist styles, with British, French, and Russian thematic content, the performance was provided with a great sense of competence and creativity. The cultural diversity of the orchestra and the vast audience juxtaposed quite strikingly with a handful of boorish anti-immigration protesters who threatened an attendee just before the concert started.

On that note, significant discussion has been made of the "March for Australia" anti-immigration protests that were held over the weekend. Nominally, they argue that migration in a time of housing costs and unemployment is a problem. Factually, the protests are incorrect - net migration (the metric that really matters) is quite low compared to the 20-year average, but of course facts are quite irrelevant to the violent "white nationalists" who are organising these events. Given that more than 97% of Australians come from a migrant background (and needless to say, they don't like indigenous Australians either), it should be clear that we are enriched culturally and economically by our diverse migrant populations, and we have become more capable of a moral universalism as well. The overwhelming majority understands and embraces our diversity, but we must be aware that extremists are in our country, and they are organised, and therefore, we need to be organised against them.

Darwin is not exactly known for being the cultural centre of Australia, but it does its best during its Festival and Fringe Festival. It's a particularly good time to visit in the dry season, where every day is 30 degrees, blue skies and a cool morning breeze, especially as a break from Melbourne's wintery touch (which I also love). The past several days have been in the fine company of Lara and Adam at MrBlueSky, where I also had the delight of catching up with Gary, Mon, Jac, and Shu on different occasions, and every evening there was an opportunity to soak up some fine entertainment.

A personal highlight was "John Schumann & The Vagabond Crew" performing the songs of Redgum. It's not my usual style of music, but they are the most notable radical Australian folk band that has ever walked in the country, and the musicianship was utterly superb. I felt like a teenager getting John to sign my copy of "If You Don't Fight You Lose", but I justified it on the grounds that I have been listening to this album since my teenage years; this will be a Rocknerd review. Another event also worthy of special note was "Duck Pond", a fusion of acrobatics, ballet, and theatre and a fusion story of Swan Lake and The Ugly Duckling. Understandably, I couldn't help but think of the RuneQuest scenario of the same name. Further, there is the excellent musicianship and storytelling of Fred Leone, whose self-taught upside-down southpaw guitar-playing is just a small testimony to his abilities.

Other events included a visit to the Northern Territory Art Gallery and Museum (MAGNT) which was hosting the National Aboriginal & Torres Strait Islander Art Award (NATSIAA), the video artistry of Shundori", the impressive and moving Zhangke Jia film Caught by the Tides, and the impressive aerialist performance of "La Ronde". In contrast, I was less taken by Bangarra Dance Theatre's "Illume", mainly because it didn't provide what was said on the tin, or the Sydney alternative-improv "Party Dozen", although kudos to the young punk local support act "Tang" who had plenty of energy and style.

The time seemed to go quickly, and the view of the Darwin harbour from my co-owned apartment always gives the opportunity for reflection, consolidation of thoughts, and quiet strategic preparation for the future. It is, without a doubt, one of the finest places for a short visit, and I can certainly understand why some people feel the desire to move on a more permanent basis, although I am a long way from such considerations myself. I will, once again, take this opportunity to thank Lara and Adam for their absolutely superb hosting and care of this Southerner's visit and for showing me many highlights of their home town. Doubtless, I will return again soon.